Category Archives: Archive

Eric’s in the Mud, and He’s Got No Shoes!!

Courtesy of the Roubick Archives

Here’s a great-looking poster from a gig that never actually happened. The Dictators were on their way to this show when they were mistaken for a then-prevalent German terrorist faction called the Baader-Meinhof group. If you’re wondering how a bunch of greasy, long-haired musicians paying the dinner fare with foreign cash could be mistaken for a bunch of murderers, then here’s the short answer — Mark the Animal.

The guys were held captive for hours, on their knees in the mud, with helicopters overhead and machine guns in their faces, until they finally convinced the authorities it was a case of mistaken identity.



The entire incident was immortalized, virtually word for word, in the band’s final 1978/1979 recording of “Too Much Fun.” TMF ranks as one of the very best “lost” Dictators tracks, and it featured a one-time line-up of Scott on all guitars, RTB on bass, Andy on keys, Rich Teeter on drums, Clarence Clemons on sax, and Tish + Snooky on backing vocals. The track was started in the summer of 1978, and finally finished up in early 1979 to serve a solo demo for HDM. The “Lonesome” Dick demos were meant to showcase HDM as a potential soul man a la the Wicked Pickett, while the rest of the band planned on soldiering on as the Rhythm Dukes, but it was never to be.



Look for “Too Much Fun” to be included on “Every Day Is Saturday Vol. 2,” currently scheduled for a fall 2027 release.

– Salvi C.

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More Stories From the Road

Check out these great pics we found at regionrockmemories.com of the Dictators in Hammond, Indiana, from Oct. 14, 1977. Our boys opened for BOC and Ram Jam (?!?) at the Hammond Civic Center.

The recording of this show has been floating around Bootleg Universe since 1978, and either everyone in the band took exactly the same amount of Qualuudes at exactly the same time, or else the original tape ran a little slow, because the usual 35-minute opening set takes 39 minutes here.

What, exactly, IS that round object in the lower picture?? It’s either a weather balloon that broke off its mooring, or it’s a 13-month pregnant groupie on the search for Junior’s vagabond daddy. “Look, Zeke or She-Zeke, that there’s the roadie who told me he loved me behind the sound booth last winter!”

Thanks to Mike Vanagas for use of the pics.



Set list from Oct. 14, 1977:

1. Master Race Rock
2. Science Gone Too Far!
3. Disease
4. Next Big Thing
5. Search and Destroy
6. Two Tub Man

– Salvi C.

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Ross RETAIL???

Until we hear back from the librarian at Prince George Community College, and we’re not waiting underwater for that to happen, we’re going to go with the assumption that this is the very first review our boys ever received. This beauty is from the Village Voice issue dated May 2, 1974, and it covers what looks to be gig #10 or 11 of the Dictators. “There’s no way for them to miss out on superstardom.” Sigh.

Thanks and a tip of the miner’s helmet to our friends at streetsyoucrossed.blogspot.com, who did all the heavy archeological digging for us.

– Salvi C.

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Blame It On the Burgoo (aka, It Was Atticus’ Fault)

The Dictators’ Kentucky Tour, May 10-11, 2002
 
Another year, another Dictators-related road trip, this time to the land of the Kentucky Derby, Muhammad Ali, mint juleps, Fort Knox and the Louisville Slugger.
 
As soon as Salvi arrived at Midway early Friday, we hit the road toward the glorious bluegrass of Kentucky, by way of Cincy, home of our future RTB friend, Dawnowar. Passing Riverfront Stadium (we shoulda caught a few innings), and it’s still-under-construction replacement, crossing the Ohio, into sleepy Newport, Kentucky, home of the Southgate House, site of the Dictators’ first-ever Kentucky gig.
 
The Southgate House is on my shortlist of cool rock venues. A huge mansion near the river, a bar & restaurant upstairs, and in the basement, a ballroom/concert hall that had served as the birthplace of the Thompson Submachine Gun (see Al Capone). Tables and chairs surrounded a dance floor, great sound, good sightlines and cold, cheap beer.
 
Cincinnati band Thee Shams opened with a tough set. The Dictators took the stage, clawing through a 19-song, 76-minute set — heavy on “D.F.F.D.” — with HDM proclaiming, “We can’t curse tomorrow night, so we’re gonna curse a lot tonight.” (He did). At one point a tipsy, short-shorts-wearing Kentucky woman hip-checked our table, sending my old film Kodak flying, never to take another picture. But like a bat broken delivering a game-winning hit, it died happy. The Dictators’ set flew by in a blur, it wasn’t until we later listened to Sal’s tape that we realized just how fierce that set was. The weekend was off to a kickazz start.

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More Hair Than a Barbershop Floor

Can we nominate Bill Graham for sainthood and be done with it? After years and years of having no live footage of the 6-man line-up available except for 1 tune from the Old Grey Whistle Test, Wolfgang’s Vault comes across with an entire 50-minute set, from Winterland in San Francisco on 7/30/77. Fantastic quality, multiple cameras, many Jewfros, arena stage moves by the galore. Grab a beer, and prepare to be amazed:

Wolfgang’s Vault: The Dictators

– Salvi C.

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‘The Best Live Band on That Given Day in the World’

April 12 marked the anniversary of 1997′s star-studded Tom Clark Benefit at Brownie’s in NYC. The DFFD Blog asked Dictators fan Adam Gerstein for his memories of the show.

So I get an email from Sal, who I have not heard from lately, asking me to remember the night that the Dictators played at the Tom Clark Benefit at Brownie’s in 1997. How can I forget that night — it was the night I rediscovered the band who probably has been my favorite band of the last 15 years … and that is saying a lot, as I go to a lot of live shows. Below is a review I did after the show for the Babel list (Patti Smith list) in 1997:
 
“Lenny Kaye was the first band that I saw last night. I used to see the Lenny Kaye Connection all over NYC and they were always fun. However, I always appreciated Lenny more of a backing musician with Patti rather than on his own due to the limited range of his voice. He put on an animated set and the interplay between J.D., Tony, and Lenny was great.  

Jim Carroll surprised the hell out of me. I have seen him stumble on many stages since the seventies, but last night he looked fit (hard to imagine) and healthy. Then again he never played with a band as good as the guys last night. In addition to playing with J.D., Lenny, and Tony, he also played with Adam Roth, who added tasty slide leads. ”Catholic Boy” and “People Who Died” were the standouts last night and Carroll definitely impressed the crowd.

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Hanukkah Day 8: A Gem From the Archives

This excellent article by Bob Colby is reprinted with kind permission of Kathei Logue’s “Killer Children” magazine #1 from Fall 1979:

Here’s a little taste:

The DICTATORS, my favorite American rock & roll band of the mid-70′s, are gone, and though that may be a tragedy, it was also more of a formality than anything else … The situation is still a damn shame, but before I get into details of that shame, let’s begin at the beginning with a little HISTORY.

Rise of Rock Fandom, Fall of the Dictators” (click to download the entire article in PDF form)

– Salvi C.

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Under the Thunderboss

Thunderboss

Poptown Records “THUNDERBOSS” Release Party
BillyMarks West, NYC
Sept. 12, 2006

Approximately sixty-seven minutes after booking my flight to Boston to hang out with Salvi, and to finally see the almighty Radio Birdman play at the Middle East on Sept. 9, I got the call; Thunderbolt Patterson, Ross the Boss, and Dean Rispler, aka THUNDERBOSS, were playing a set at Poptown’s release party for “THUNDERBOSS,” at J.P.’s favorite hangout, BillyMarks West in NYC. And J.P. hisself had cordially invited us to attend!

Salvi and I found our way to BillyMarks, strolling in the door as the band did a brief soundcheck. Mid-song, J.P. spotted Salvi, and yelled “SAL!” After finishing the check, J.P. came over to chat and thank us for traveling so far for his little bash. Not a problem, Mr. Bolt. As J.P. worked the room, we spoke quite a while with Dean, Ross and C.J. Sciøscia. J.P.’s daughter filled snack bags with crunchies, while his wife sold T-shirts and CDs, and searched for gaffer’s tape. Once behind his drumkit, J.P. explained that he and his missus were on the eve of their 17th wedding anniversary … awwww.

Karen (our wunnerful webhostess) and her hubby John arrived, followed shortly by a dapper gent, who turned out to be J.P.’s Dad. We were introduced to Mr. Patterson, and spent most of the non-musical portion of the evening yakkin’ with him. The man’s led a fascinating life being, among other things, a member of the US Diplomatic Corps, traveling the world with his family. Granddad was a professional wrassler, Dad’s a diplomat, J.P.’s a rock drummer/thespian. Now that’s a colorful family lineage! Adrianna, J.P’s sister, arrived from Maryland just as the first set began. Given the family history, I wondered what her chosen calling was. Geophysics? Gourmet chef? Rockette?

Ross had taken his legendary black Les Paul out of protective custody for this gig. Dean played a cool Epiphone bass, J.P. played his usual Pearl kit. With the Poptown/NFL Film Crew in place, THUNDERBOSS launched into their seven-song set, wrapping it up with a rip through Jeff Beck’s “Rice Pudding,” with a dash of Jimi tossed in by Ross. An excellent, smokin’ set, but much too short. But…

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“How Ya Doing, Chicago!?”

Avalon stubAs we documented in the last post, the Summer of 1991 had our heroes on the road again. This revamped juggernaut wiped out Chicago on this date in 1991. The boys played the Avalon with the Lunachicks and Spinout in support. Here are some memories of the gig from our Senior Midwest correspondent, Robbie Q:

The Avalon was formerly known as The Quiet Knight, a truly legendary folk/rock/blues/comedy club. It was located on the second floor of a building at Belmont & Sheffield, just a bit south of Wrigley Field.
 
Many future stars played there in the ’60s & ’70s. Springsteen, Jackson Browne, Bob Marley, Bonnie Raitt, Warren Zevon, the Kinkster, even Jimmy Buffett played there before they were stars. But by the time punk hit, the place was declining, as was the neighborhood, and it finally closed, reopening as “Tut’s,” becoming a cornerstone of the Chicago punk scene, then finally becoming the Avalon. I don’t believe it stayed open as the Avalon very long, either. Too bad, it was a cool and historic room. The building is still there. Last time I went by, several years ago, the second floor was now occupied by a beauty/barber college. I wonder how many future cosmetologists knew the real history of the place?

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What a Drag It Is!

Club 82 adOn this day in 1976, the Dictators played a short set at the 82 Club, a down-on-its-heels drag bar on 4th St. between 2nd Ave. and the Bowery. Glam and punk bands bumped elbows, and hopefully nothing else, on the club’s stage while the show “girls” danced in front of the band. Video footage from this gig sadly does not exist, but if it did, I think it would be more popular than a clip of Jesus Christ on roller skates.

The set list:

1.  What Goes On
2.  California Sun
3.  Tits to You
4.  The Next Big Thing
5.  America the Beautiful

– Salvi C.

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